Annelotte Lammertse: Derde landschappen en de rol van verfplanten
Ans Nys: Drawing as a mourning love letter
Can Boyan: Maken-worden door Materie: Studio Kunst als Postanthropocentrische Pedagogiek
Charlotte Dorn: Empathie voor het dier in de hedendaagse kunst
Ciel Grommen: The art of dwelling
Ella de Burca: Modes of Spectating: How to Act
Eva Moulaert: Graphic design as a narrative practice
Fiona Hallinan: Ultimology, or the study of endings, as a point of entry for imaginative discourse
Frank Theys: The Tragic Sciences
Gianluca Cosci: The Denied Image – Art Interventions Between Iconoclasm and Institutional Critique
Jack Eyram Azor: Liberated Perception and Reverse Perspective in Painting
Jay Mar Albaos: Belgium’s Paperless: Lived Precarity in Futureless Paradigms
Lore Smolders: The Sign as Drawing System
Mattijs Driesen: Possibilities of Mutation: Filmmaking as Pedagogy for the Weird
Nairy Eivazy: The Objects We Carry, the Memories We Share
Pepa Ivanova: An echo of the Sun
Ritsart Gobyn: From deception to insight
Roel Kerkhofs: A fight against Loneliness
Steve Michiels: “Which visual censorship is necessary today?”
Stijn Van Dorpe: Dissensus and Connection as Artistic Tactics
Sylvie Vandenhoucke: THE ERRANT SYSTEM AS STRATEGY
Tine Guns: The photobook as a visual page turner: a pre- and post-cinema montage story
Yana Dimitrova: Towards a Shared Autonomy. Painting as an Emancipatory Practice