Bo Van der Werf: ‘ Methods for using the languages of Messiaen in (jazz) improvisation ‘
Carl von Winckelmann: 'Mise en relation'
Ellen Nimeroski: François Xavier Tourte’s modern violin bow
Filipa Botelho: Acoustic Feedback and Corporeality: Designing New Modes of Performance
Goran Krivokapić: Uncompromising Bach – a practice-based research on how to transcribe and interpret works by J. S. Bach for guitar
Ivana Jelaca: Performing in the 21st Century Salon: Tradition and Innovation
Jan Lust: Bach+
Jasmijn Lootens: The Hybrid Cellist - An Electro Acoustic Journey
Johann Vacher: Amplified piano / amplified pianist
Johanna Zwoferink: The performance practice of the organ works of Johann Sebastian Bach
Lieven Van Ael: The Practice of Change. Reconstruction and Realization of Educational Innovation in Music Schools in Flanders
Leen Adam: Music and mourning in youth with intellectual disabilities
Luc Ponet: "In organis et in discantu". Organ Interpretation and Organists’ Practice in the Principality of Liège (B) in the First Half of the 17th Century
Luca Montebugnoli: Rewriting for the salon
Magno Caliman: Music Technology
Mariske Broeckmeyer: unVOICING Migraine - A Study of the Failing Voice
Mavroudes Troullos: Coloring the Notes: Informed performance and extended techniques for contemporary European music for Bassoon, written from the 1950s until today
Nico Boon: The well-made play: written all over again?
Philippe Verneert: Throw them in the deep end.
Prach Boondiskulchok: Composing for the Fortepiano: Idiosyncrasy and Historicity
Rik Cornelissen: Implementation of the free-bass system on accordeon within jazz-related improvised music
Sanae Zanane: Time management in Beethoven's Piano Sonatas
Tine Castelein: Constructive Frictions
Tiziano Manca: Writing the Flow: Time, Rhythm, and Western Music Notation
Thomas Geudens: The Young Person's Guide to Orchestration
Tom Goossens: Singing while speaking and speaking while singing in contemporary opera performance
Vicente Parrilla: On the Art of Counterpoint
Victor Somma: The composer as a co-creator of bridges between society and contemporary music: a matter of dialogue?
Vincent Caers: Living Scores Live - towards an extended and interdisciplinary contemporary percussion performance