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Andreas Nollet: De muzikale parameters in het muziektherapeutisch proces van volwassen vrouwen met hoogfunctionerend autisme

Birgit Sebreghts: Ontwikkelen van creatieve capaciteit bij volwassenen met ASS en muzikale improvisatie

Bo Van der Werf: ‘ Methods for using the languages of Messiaen in (jazz) improvisation ‘

Carl von Winckelmann: 'Mise en relation'

Filipa Botelho: Acoustic Feedback and Corporeality: Designing New Modes of Performance

Francesca Ajossa: The Ear as an Eye

Goran Krivokapić: Uncompromising Bach – a practice-based research on how to transcribe and interpret works by J. S. Bach for guitar

Hella Van der Jeught: Creatieve veerkracht bij jongeren in semi-ambulante pediatrische context

Ivana Jelaca: Performing in the 21st Century Salon: Tradition and Innovation

Jan Lust: Bach+

Jasmijn Lootens: The Hybrid Cellist - An Electro Acoustic Journey

Johann Vacher: Amplified piano / amplified pianist

Julie Michael: Audience Interaction in Musical Performance

Leen Adam: Music and mourning in youth with intellectual disabilities

Lierin Buelens: Van Toeten Noch Blazen. Een pedagogische studie naar de imagoproblematiek van HaFa orkesten en de rol van volwassen debutanten

Luc Ponet: "In organis et in discantu". Organ Interpretation and Organists’ Practice in the Principality of Liège (B) in the First Half of the 17th Century

Luca Montebugnoli: Rewriting for the salon

Magno Caliman: Music Technology

Mavroudes Troullos: Coloring the Notes: Informed performance and extended techniques for contemporary European music for Bassoon, written from the 1950s until today

Nico Boon: The well-made play: written all over again?

Philippe Verneert: Throw them in the deep end.

Prach Boondiskulchok: Composing for the Fortepiano: Idiosyncrasy and Historicity

Rik Cornelissen: Implementation of the free-bass system on accordeon within jazz-related improvised music

Sanae Zanane: Time management in Beethoven's Piano Sonatas

Tine Castelein: Constructive Frictions

Thomas Geudens: The Young Person's Guide to Orchestration

Tom Goossens: Singing while speaking and speaking while singing in contemporary opera performance

Vicente Parrilla: On the Art of Counterpoint

Victor Somma: The composer as a co-creator of bridges between society and contemporary music: a matter of dialogue?

Vincent Caers: Living Scores Live - towards an extended and interdisciplinary contemporary percussion performance